Mo’Nique Reveals How She Became A Part Of The Short Films For Donald Glover’s Adidas Campaign

Mo’Nique Reveals How She Became A Part Of The Short Films For Donald Glover’s Adidas Campaign

Mo’Nique came back in fighting form thanks to ads developed by Donald Glover for Adidas to promote his new “Nizza” shoes. The series of ads showed Mo’Nique roasting the living daylights out of Glover, taking him to task for being all manner of bougie. If you’ve been like many out there who have been wondering how the commercial came about, Mo’Nique has now provided the details.

In an interview with Complex, she said the opportunity came after Glover’s creative team reached out to her via her husband and manager, Sydney Hicks.

“Well, Fam Rothstein, who is one of Donald Glover’s teammates, and a sister named Sylvia, they called and spoke to my husband, who everybody knows is my manager,” she said. “They spoke to Sydney, and when I say it was a beautiful negotiation? It was the way it’s supposed to be done. It was professional people dealing with professional people, and we made something beautiful. I wish every deal and every phone call could be the one that came in from Fam Rothstein and Sister Sylvia. I wish they could be that way because it makes it so much easier.”

Mo’Nique continued, saying how respected she felt by Glover’s team. “I remember at the end of the shoot, I asked Donald if could I talk to him and his team, and it was one of those moments that brought tears to my eyes to say to those brothers, ‘This is how it’s supposed to be,'” she said. “And to treat a Black woman with such respect and honor, that for me goes down in my history book, to say there are still those out there that treat us with the respect we’re supposed to be treated with. They’re still out there and I know it seems like we got to dig deep, but dammit his name is Donald Glover.”

Let’s hope that the good time Mo’Nique had with Glover means there could be more projects between the two creatives in the futurel post

Original post was published here.

‘Lady And The Tramp’: Janelle Monáe To Provide Original Music For Live-Action Remake, Will Overhaul Racist Siamese Cat Song

‘Lady And The Tramp’: Janelle Monáe To Provide Original Music For Live-Action Remake, Will Overhaul Racist Siamese Cat Song

Lady and the Tramp star Janelle Monáe will not only provide her voice to the film, but her music will also revamp the original film’s most problematic scene.

Variety has exclusively confirmed with Monáe’s representative and Disney that Monáe will provide two original songs for the film, sung by Tessa Thompson, who will voice Lady, and Justin Theroux, who will voice the Tramp. Monáe’s Wondaland team are also “reinventing” the racist song sung by the Siamese cats.

In the 1955 animated film, the cats in question, Si and Am (a play on the word “Siam,” the antiquated name the West used to describe Thailand) are designed as Asian stereotypes and “The Siamese Cat Song” they sing (performed in the original by singer/songwriter Peggy Lee) reinforces those harmful stereotypes. For the film’s update, Wondaland’s Nate “Rocket” Wonder and Roman GianArthur are creating a new version of the cats, which are no longer Siamese.

“We’re dealing with Wondaland, her team of incredibly creative writers and producers that she works with,” said Kaylin Frank, a VP in Creative Music and Soundtracks at Disney, at the MUSEEXPO Creative Summit, according to Variety. “So our director has engaged with her in terms of what the storytelling [of] song needs to be.”

Also, according to another of Variety’s sources, there’s a chance Monáe could also work on “He’s a Tramp,” one of the film’s most well-known songs.

In the film, Monáe will voice Peg, one of the stray dogs Lady meets while she’s stuck in the pound (also originally voiced by Lee). She will star alongside the vocal talents of Sam Elliot, Yvette Nicole Brown, Benedict Wong and Kiersey Clemons, among others. The film will be released on Disney’s new streaming service, Disney+, this fall.

Original post was published here.

A Taste of Success: The Iconoclast Dinner Experience and James Beard Foundation Are Giving Chefs of Color a Seat at the Table

A Taste of Success: The Iconoclast Dinner Experience and James Beard Foundation Are Giving Chefs of Color a Seat at the Table

Original post was published here.

What does success taste like? If you’re one of the countless chefs working in upscale kitchens across America, it may be recognition from the James Beard Foundation. Fondly known as the “Oscars of Food,” the preeminent culinary organization in the United States is celebrating its 29th annual awards gala tonight in Chicago. And while it’s fair to say that a James Beard nomination or win can be a game changer for any chef; for chefs of color, increasing recognition and advocacy from the esteemed organization have encouraged long overdue recognition that our flavors are the backbone of American cuisine.

“As things shift, I think it’s wonderful, because people of color have been cooking forever, and there are many people of color in every kitchen throughout all of America, It’s important that we’re recognized, because we are all part of America’s food culture,” says Chef Gregory Gourdet (Culinary Director of Departure restaurants in Portland, Ore., and Denver), a three-time James Beard Award semifinalist for Best Chef: Northwest (including 2019) who works closely with the organization.

Gourdet was one of five James Beard-recognized chefs catering to a predominantly black and brown crowd of foodies at the third annual IDE (Iconoclast Dinner Experience Series) All-Star Culinary Bash on Saturday night, hosted in the gorgeous Viking showroom in Chicago’s Merchandise Mart with The Root as its media sponsor. As a Queens, N.Y.-born chef of Haitian heritage who currently specializes in Asian cuisines, Gourdet is all too familiar with the marginalization of certain cultures within haute cuisine and credits the Beard Foundation with helping to further that conversation.

“I think one thing the Beard Foundation does well is just really dive into important food topics, and when something’s on the table, I don’t think they skirt away from it; they dive right in,” he told us, referencing both the many multicultural dinners hosted by the famed James Beard House in New York City (including a 2018 all-Haitian dinner he participated in), and the representation on the annual awards committee. Gourdet, whose ridiculously tender, evocatively spiced braised beef with cassava dumplings was this meat-loving writer’s melt-in-your-mouth favorite at the All-Star Bash, also pointed out the significance of making cross-cultural correlations in his own cooking.

“As I got along in my career, I realized that all these Southeast Asian flavors that I loved [and was] learning about were flavors I grew up with,” he said. “The coconut, the chiles, the citrus—these were all flavors that I grew up with. That’s why I was so attracted to them, because in the back of my head, these were all things I’d been experiencing my whole life.”

Chef Jerome Grant, who helms Sweet Home Café, located in the National Museum of African American History and Culture in Washington, D.C. (fondly known as the “Blacksonian”) is a 2019 Best Chef: Mid-Atlantic semifinalist. True to the name and location of Sweet Home, which received the Best New Restaurant Award in 2017, Grant agrees with Gourdet’s assessment. “Food was always these snapshots of my life,” he said. “it always brings you back to a particular place and time.”

As Grant told The Root, bringing people the richness of African-American culture and history through food is the mission of Sweet Home. It’s a mission in tandem with his personal desire to create opportunities for others in our community, giving them training, education, confidence, and ultimately, leverage in the increasingly gentrified, but still “chocolate city” that is Washington, D.C. His work at the preeminent institution for black history reinforces that goal daily.

“For me, it’s something bigger than just a good job; it’s something super meaningful. …Because I knew that it wasn’t just about being in a place of such stature; it was being in a place to represent our people and being able to showcase what we do—and to do it through food…it’s just amazing to be a part of that,” said Grant, whose dish for the evening, a pickled oyster shooter with egg yolk mayo and molasses bread, paid homage to New York-based oysterman and abolitionist [George] Thomas Downing

“What people think we did is build a café within a museum,” he continued. “But no, we built an edible exhibit that showcases our African-American throughways and tells our stories. It’s a lot more than just what people think black food is. It’s American food; it’s what helped build America. Black hands have fed anyone and everyone.”

Notably, The Sweet Home Café Cookbook was a James Beard Media Award nominee this year; the book’s co-author, famed culinary historian Jessica B. Harris was entered into the JBF’s Cookbook Hall of Fame during the April 26 Media Awards ceremony. Other 2019 honors celebrated that night belonged to Black Girl Baking: Wholesome Recipes Inspired by a Soulful Upbringing, from baker and first-time nominee Jerelle Guy; famed chef Marcus Samuelsson won Outstanding Media Personality for his PBS show, No Passport Required. And articles from food historian and 2018 James Beard Foundation Book of the Year award winner Michael W. Twitty and writer Vince Dixon both garnered journalism nods, while Racist Sandwich garnered a media nomination for their podcast, Erasing Black Barbecue(Shoutout to SoulPhoodie for helping us keep track.)

But what was the winning book of the year? Between Harlem and Heaven: Afro-Asian-American Cooking for Big Nights, Weeknights, and Every Day, written by 2018 IDE All-Star Chef JJ Johnson and his mentor, chef and restaurateur Alexander Smalls with acclaimed writer Veronica Chambers.

Another 2018 IDE All-Star, Chef Kwame Onwuachi (Kith and Kin, Washington, D.C.), is nominated for a 2019 Rising Star Chef award. And Brooklyn, N.Y.’s A&A Bake & Double Roti Shop was dubbed one of “America’s Classics” by the foundation in February, recognizing their Trinidadian flavors as a delicious part of the American melting pot. 

Then, there were the 2019 Leadership Award winners, honored during a ceremony on Sunday and including Cornelius Blanding, executive director of the Federation of Southern Cooperatives/Land Assistance Fund, and Leah Penniman, the educator and activist who has helped combat “food apartheid” for black and brown communities in upstate New York and beyond with Soul Fire Farm.

“The James Beard Leadership Award is not just for me,” Penniman told JBF in a profile of her work. “I really take it as a win for the returning generation of black and brown farmers. …We’re reclaiming our right to belong to the earth and to have agency in the food system. I feel really excited about the visibility and support that we’re getting.”

Coincidentally, increased visibility and support was the inspiration behind the Iconoclast Dinner Experience, founded by Dr. Lezli Levene Harvell as a vehicle for promoting culinary talent of color while also giving back to her alma mater, Spelman College, which receives all net proceeds from IDE events via a scholarship for students from the Caribbean and Africa.

“As a food enthusiast and as a person of color, I just found there was a lack of representation of chefs of color in the higher echelons of food,” Levene Harvell told a packed house on Saturday night. Viking showroom manager Rufus Greer III wholeheartedly agreed, explaining why he and parent company Middleby Residential, which counts Viking among several upscale appliance brands, threw open the doors of their flagship showroom to host the event.

“It’s important, I think, for the culinary industry—and really, just the American public—to see talent on this scale showcased and honored,” Greer told The Root. “We were ripe for an event like this.”

The success of the event, which has grown from an inaugural dinner at the James Beard House in New York City in 2015 to an annual series of five events in varied locales is indicative of the hunger we have to see chefs of color thriving and earning the same recognition as their white counterparts. The 2019 IDE event chair, Chef Mashama Bailey, (The Grey, Savannah, Ga.) is enjoying her own taste of widespread recognition as a 2019 Best Chef: Southeast nominee; her first nod from the James Beard Foundation. The Bronx-born, Queens-raised chef told The Root it was furthest thing from her mind as a latchkey kid caring for younger siblings.

“It’s overwhelming,” she admits. “I’ve been really stepping into owning and claiming things that I want in life, and a James Beard award is one of them. And it feels amazing, because I know the team that it took to get me here … I’m just so proud to be their representative.”

Believe it or not, despite her tremendous success as a chef, Bailey says she’s still honing her specialties. “If someone were to ask me to write a cookbook, I don’t think it would be very big or very long,” she concedes. 

But as evidenced by the Antebellum-inspired chicken recipe Bailey served on Saturday night, she has a very clear focus in her cooking, which is food and small crop ingredients indigenous to the Lowcountry (meaning the coastal islands of Georgia and South Carolina, which are home to Gullah culture). 

“I like to call myself a Southerner twice removed,” she laughs, referring to her mother’s Georgian roots and the many summers Bailey accordingly spent in the region with her grandparents and extended family.

As Bailey tells it, it’s that same feeling of family, familiarity and culture that feeds her and the chefs of color she considers her contemporaries; all of them representing a new guard infusing even more flavor into the culinary world.

“We see each other,” she says. “Like, we’ve seen each other coming up through the ranks in culinary school, and we see each other at the corner family business, and we’ve nurtured each other throughout our growth, but it’s really nice to see that we are in these polished, world-renowned kitchens—and we’re running them. 

“And I never had a doubt in my mind that that’s where we belonged,” she adds. “And it’s really, really nice to see.”

Want to attend an IDE event? Tickets for the upcoming Iconoclast Dinner Experience at the James Beard House in NYC on June 8 are available on their website. An event in Martha’s Vineyard is planned for August 5.

Gospel Singer And Pastor Marvin Sapp Opens Up About Love Lessons Learned As Told In His New Book, ‘Suitable’

Gospel Singer And Pastor Marvin Sapp Opens Up About Love Lessons Learned As Told In His New Book, ‘Suitable’

Grammy-nominated Gospel singer, pastor and author, Dr. Marvin L. Sapp, knows a thing or two about relationships and he recently hit the 2018 ESSENCE Festival Empowerment Stage to share some of the many lessons learned as told in his new book, Suitable: Choosing and Being Chosen by the Right Mate.

In a conversation with ESSENCE Senior Editor, Charreah Jackson, Sapp shared how counseling many couples over the years inspired him to pen his latest book.

“All of us have desired to meet that special person to spend the rest of our lives with,” he said. “God’s plan for each of us is as individual as we are.”

Sapp met his wife, MaLinda, in elementary school and the two remained friends throughout their adolescent years, even attending the same prom on separate dates. Sparks soon flew between the lovebirds and the two had a fulfilling 20-year marriage, including welcoming three children, before MaLinda sadly passed away from colon cancer in 2010.

After losing his wife, Sapp felt love had left for good and focused on raising their children. Now that his children have grown up and his heart has healed, he has opened himself up for a “suitable” partner.  

People have said to me so many times, ‘Marvin, you had an amazing marriage.’ And I did; I really had an amazing marriage,” he said. “I couldn’t have asked for anything better and I believe that she was, without question, was my soulmate. However,  I just believe with everything in me that God would not allow me to lose something great and not give me something greater.”

Now that he’s open to finding love again, Sapp says he isn’t just dating – but collecting data. 

“Dating is your time to see if this is the person for you,” he says. “One test for suitability comes when the skies darken, and storms arise. How will you both react to the struggles in life?”

In closing, he challenged those in the audience looking for love to do so with a heart free of bitterness or anger towards love itself.

“Understand that if it hasn’t worked or if it isn’t working or if it’s falling apart, love didn’t mistreat you,” he added. “Love didn’t walk out on you, love didn’t cheat on you, love didn’t dog you out, that individual did. So don’t be mad at love for what a person did not value and see in you.”

Original post was published here.

Fashion Icon Dapper Dan Talks ‘Black-onizing’ Luxury Fashion – ‘We Show Them What It Should Look Like’

Fashion Icon Dapper Dan Talks ‘Black-onizing’ Luxury Fashion – ‘We Show Them What It Should Look Like’

You know the name. You know the backstory. 

But there are a few things that you probably don’t know about the man himself. 

In his first-ever ESSENCE Festival appearance, we found out that legendary fashion icon Dapper Dan has never closed his business, despite being underground for years. We also learned that Jay Z was part of the impetus to help bring Dan’s artistry back into the spotlight! 

Speaking on success and his ‘true-to-this’ stance in the fashion industry, Dan says his intent was always to bring Black Culture to high-end fashions.

“I would describe my designs as Black-onizing luxury fashion, because it wasn’t meant for us,” he told ESSENCE Fashion Director, Julee Wilson. “But now they come to us so that we can show them what it really should look like!”

Born and raised in Harlem, Dan says he takes pride in keeping his business operating, “365 days, 24 hours a day,” revealing that he’s never closed his retail store and that he’s always been open for business. 

While other design masterminds collaborate with major companies or other designers, Dan says his collaborations are “always about us,” because he collaborates with his customers. To him, the Black customer —whether Jay Z and Beyonce or his local hometown regulars in Harlem—always comes first.

Speaking specifically about the support of Black women, Dan told the ESSENCE Fest audience he’s forever grateful to the community for keeping his brand alive over the years.

“I have been a fashion wagon, but this wagon would not be here today if it wasn’t for Black Twitter,” he added. “It’s our [Black] women who got us here today!”

Original post was published here.

‘Kaavia James by Gabrielle Union’ Is All Sorts of Mommy & Me Goodness

‘Kaavia James by Gabrielle Union’ Is All Sorts of Mommy & Me Goodness

One of the cutest and spunkiest babies in Hollywood is following in her mom’s footsteps with her first capsule collection. Just in time for Mother’s Day, New York & Company teamed up with Gabrielle Union to launch an exclusive lineup inspired by the standout style of her baby girl, Kaavia James Union Wade

The debut collection features sizing from 0-24 months with prices ranging from $14.95–$39.95. Perfect for the vivacious baby in your life, the adorable drop delivers major mommy and me moments thanks to coordinating pieces from Gabby’s namesake New York & Company Collection.

Famously known as the #ShadyBaby, by her IG fans, Kaavia melts hearts with her fabulous outfits and sassy pics. Standout pieces in polka dot and leopard prints will delivery plenty of swoon-worthy moments for the little ones in your life. Shop the full collection beginning May 6 at New York & Company.

Original post was published here.

Redman Explains How He & Method Man Became Hip-Hop’s Dynamic Duo

Redman Explains How He & Method Man Became Hip-Hop’s Dynamic Duo

Original post was published here.

Recently, Take It Personal Radio hosts DJ 360 and Philaflava took some time to speak with Newark’s own Reggie Noble for an in-depth interview. Throughout, Redman discusses his early desires to become a DJ, the making of his albums, Dare Iz a Darkside and Muddy Waters, his work with Def Squad, his current relationship with Erick Sermon, and much more. Another prominent piece from the interview includes Redman’s relationship with Method Man, a union between two East Coast rappers that would cement their place in history as one of Hip-Hop’s most formidable Rap groups

As the interview progresses (26:00), Redman remembers how his Muddy Waters album and his work with Method Man would go on to change Def Jam forever. “Lyor will tell you, at that time, he needed something because I guess at that time there wasn’t too much music flowing through Def Jam to pay the bills, or to say, “Okay, we are putting out some great music… And they put the [Muddy Waters] record out man, and it brought them so much money. Lyor will tell you, ‘Redman saved Def Jam.’”

Then, the T.I.P. team asks Redman to discuss how he and Method Man came together during this critical time for both Def Jam, and their careers. Redman reminisces on how he met Meth, “Honestly I gotta commend Def Jam for that move because at that time me and Meth was putting out material, and it was kind of Def Jam saying, ‘You know what, let’s put these guys on the road. Let’s put them on the road and make a big promotion, Month of the Man. That was one of the most well known promotions in Hip-Hop during the 90’s was the Month of the Man. It happened business-wise through Def Jam, but organically it happened with Red and Meth as individuals.”

To follow, Redman discusses his and Meth’s reaction towards their first time on tour together, “We knew that we was on the road, but the thing about it is that, we didn’t look at as like, ‘Wow, why’d they put me on the road with this n***a? It was like, okay, we on the road because we have the same kind of feel, and maybe I can help introduce. But at the end of the day, we didn’t look it as a negative. We looked at it as a plus, and I immediately pulled out some beats and just offered like, ‘Yo, let’s rock.’ I put him on the tape deck.”

In wrapping up the discussion, Redman remembers how their time bonding through music brought him and Meth even closer together while out on the Month of the Man tour. “Every time when we roll together, I’m the music man. I put the music on or whatever. We listen to s**t that everyone can vibe to whether it’s beats or old school, whatever. I’m kinda the DJ. So, when we was riding in the vans at that time doing promotion, that’s real promotion, we had some songs written. That’s how I can say how the Red and Meth brand came about was from us being on the road when Def Jam put us there. They placed that scene I would say. They mapped out that scene for us to be on the road. It was up to us, organically, to make the Red and Meth brand happen because it could’ve went another way. It could’ve went like, ‘Alright, I ain’t f***in’ with this n***a. Or I ain’t f***in’ with this n***a.’ And we could’ve just went on about our business after that promo tour. But after that promo tour, I threw them beats on and we literally connected through the music organically, and we came back home like real good friends and ready to say, ‘You know what? Let’s do an album.’”

Additionally, Redman is gearing up to release his ninth studio album, Muddy Waters, Too, the sequel to the aforementioned ’96 classic, Muddy Waters. This is his first release in nearly four years since Noble’s dropped, Mudface, in November 2015.

Dr. Dre & LL Cool J Have Recorded More Than 40 Songs Together

Dr. Dre & LL Cool J Have Recorded More Than 40 Songs Together

Original post was published here.

Dr. Dre rarely grants interviews. He admits it, and adds that he does not enjoy talking about himself in public. Since 2017’s The Defiant Ones documentary on HBO, Andre Young has participated little in the way of press, beyond product or album promotion. If there is one Rap peer who could bring Dre out, it’s LL Cool J. For Rock The Bells Radio Sirius XM, LL and DJ Z-Trip went to Dre’s Southern California home. “You know I don’t do this that often, man. But for you, that’s what’s up—anything. [You are] one of my inspirations for a very long time.”

The hour-plus-long interview first aired this past weekend (April 20) on the radio as part of LL’s “Influence Of Hip-Hop” series. Now, all Hip-Hop Heads can enjoy it. Speaking with peers, Dre seems to be in his element. The impresario exudes a love of music, as Z-Trip plays rarities from 1980s swap-meet mixtapes, bootlegged relics, and more. This interview  deals greatly with Dre’s love of DJ’ing, his days with N.W.A., and some memories from those Chronic and Doggystyle period with Snoop Doggy Dogg.

The conversation opens with Dre speaking about his love of turntables and mixing. He calls music his “oxygen.” “It’s always been my passion, even before I decided to make music,” he admits. “It’s always been a passion to just listen and feel. For me, music has always been more of a feeling than just listening. It’s how music makes me feel, and that’s what I remember from a very early age.” Later in the chat (28:00), Dre says that he can tell when producers produce above the chin and below. For Andre Young, it’s below his Beats headphones, in his chest. He reveals that he aims to give the listener “goosebumps.” Dre adds that Parliament-Funkadelic was his first concert in the late 1970s. “It just completely f*cked my head up. That was it; this is what I wanted to do,” he says of the experience, 25 years before G-Funk was born.

Dre says he began touching the turntables in his early teens. At that point in his life, he says his dream was to DJ. His mother, misunderstanding his passion, sent him to a local school for on-air hopefuls. Dre recalls practicing reading Campbell’s Soup ads in the classes. “It’s so much power, L—but not from a f*cked up, egotistical point of view,” Dre admits about what allured him to the wheels of steel. “I did not know that that it would eventually turn into me DJ’ing for crowds, and then that eventually turning into production.” Dre simply enjoyed moving people with sound since he selected the records that kept his mother’s parties going into the wee hours as a toddler. Elsewhere, Dre credits DJ Battlecat, LL’s onetime producer Bobby “Bobcat” Ervin, DJ Jazzy Jeff, and DJ Cash Money as mixing influences.

“I’m actually still feeling that [way],” Dre says at 9:00. “I was actually talking to [Z-Trip] about getting back on these turntables. I’ve had conversations with [DJ] Jazzy Jeff and my wife, and everybody’s talkin’ to me about gettin’ back on the turntables and gettin’ out there, tryin’ it again.” Z-Trip, who notably starred in the Scratch documentary, plays two rare clips from Dr. Dre’s KDAY radio show. One is Dre and N.W.A. spoofing Eric B. & Rakim’s “Paid In Full” dialogue, with scratched-together elements from DJ Cash Money & Marvelous Marv’s “Ugly People Be Quiet,” the Dragnet theme, and LL Cool J’s “Going Back To Cali.” The second clip finds the former radio host transitioning the intro to LL’s “I’m Bad”into Michael Jackson’s “Bad” right as the crescendo hits, before coming back into “Rock The Bells.” Dre admits that he refuses to listen to his old work, and forbids his wife and children to play any of that music in the house.

Dre says that he very nearly became a studio engineer. He enjoyed the sound of sound. At 17:30, as this plan was taking shape, Dre says that disagreements with his mother led him to move out. Dre set up shop at his aunt’s house. Dre’s aunt is producer Sir Jinx’s mother, who happened to live several houses down from a teenage Ice Cube. He recalls making demo tapes in the garage together. Dre’s previous relationship to Eazy-E brought those parties together. In Compton’s Kelly Park neighborhood, MC Ren lived between the several blocks between Eazy and Dre. Close with E, Ren was added to the fold. Additionally, Dre brought along then-production partner DJ Yella, who was with him in the World Class Wreckin Crew. He describes N.W.A.’s origin story, and corrects a few points from the Straight Outta Compton film, including the recording of the original “Boyz N’ The Hood.”

At the 29:00 mark, Dr. Dre speaks about his creative urges. “If it’s something that came out it’s something that I really felt,” he declares, admitting that it is not an exact science, and he has made some mistakes. “If you feel it, fine. If not, I did my best job. F*ck it.” Moments later he says, “I’m still tryin’ to make my f*ckin’ best thing. As a matter of fact, I’ve had this feeling, L. Like, man, there’s something in me that needs to get out creatively. I drive my wife crazy with this sh*t, man. I know the best thing I’ve ever done is [still] in me, and I’m having trouble finding it. I don’t know where to go to get the inspiration. I don’t know. I know I’ve done a lot of great things, but I don’t think I’ve done the best thing.” LL Cool J says he relates. Dre admits that he understands if it’s purely the motivation to keep working. He declares “I’m chasin’ it.”

“You can’t learn if you’re talkin’,” Dre says of his shyness towards the spotlight. “I like to listen. I’ll listen, and I’ll speak up and give my opinion when necessary. And, it really depends on who I’m in the room with.” Dre admits that he aims to be an inspiration, more than a high-profile mogul. “I want my work to talk for me, and hopefully the work I’m doin’ and the way I carry myself to be an inspiration.”

At 36:00, Dr. Dre describes starting Aftermath Entertainment to move away from the financial battles at Ruthless and what he calls “the bullsh*t” at Death Row. He admits that his 1996 Aftermath compilation was not his best material. However, within months, he would link with Marshall Mathers, who brought an energy to Dre’s fledgling label. He describes a vault of “hundreds and hundreds of songs,” in reference to late 1990s Eminem recordings together. Dre says he was listening to that material recently with marvel. However, he adds that lyrically, Em’ may never want the 2019 public to hear these records. “[It is] us just goin’ in the studio and experimentin’. That’s what we used to do. We’d go in and just cut.” Z-Trip asks how Dre decides what makes the releases.

“This is the thing: I’m a recording artist, and I just love recording,” Dre replies. “Most of the sh*t that I do is not for the public. I’m gonna go in the f*ckin’ studio and work tonight, it’s just for us and how we like to feel. It’s a habit. It’s a hobby. It’s a passion. This is what the f*ck I do; I just love making music. Some of it can come out and be a commercial success or whatever the f*ck. But I would say 75-80% of this sh*t is just for us, just for us to vibe to and have fun with. Because most people have this f*ckin’ thing in their head, ‘Whatever I do, I want people to hear’ or ‘it’s supposed to come out.’ I’m the opposite.” LL Cool J asks Dre to elaborate. “I think it comes from an egotistical place to be honest with you. I just want to work and I just want to create.” LL calls that humility. “Nobody’s ever mad at humility,” Dre responds. “So that’s where I like to live.”

At 38:00, Z-Trip asks if Dre’s archives “will ever see the light of day.” Besides Eminem, there are reports of vaults that include unreleased Rakim, Game, 50 Cent, Nas, King T, Joell Ortiz, Anderson .Paak, and countless others. “Maybe, possibly. Let’s just say, for example, a new artist comes in and I’m like, ‘Yo, I did this sh*t 10 years ago that you’ll sound perfect on.’ It just depends on who I meet. The tracks are always available. It just depends on who I meet that’s gonna f*ckin’ complement it.”

LL Cool J speaks on their work in the vaults. “We did unbelievable music; we have what, 30, 40 songs we’ve done together?” “At least; great sh*t,” Dre replies. “You never know,” LL details. “We’ll see,” Dre adds with a laugh. In early 2017, Z-Trip updated the public on the pair’s work together. In 2016, LL recorded a blistering freestyle to some fresh Dre production.

Dre reveals that his energies are geared towards expanding his film work. While Dre directed, acted, and produced movies in the ’90s and 2000s, 2015’s Straight Outta Compton raised the bar to another level. He also reveals that he draws with charcoal and details his commitment to his fitness and diet. Dre admits with a laugh that after doing two-a-day workouts, he is less likely to hit the bar with his friends. He describes eating organic, including eggs and poultry from chickens in his yard. Notably, Dre admits that the only material item he is proud of is the “dream-home” he and his wife Nicole just purchased and moved into. “I don’t like leaving home, ’cause everything is there for me.”

Dre also describes an odd place. As he broaches billionaire status, he looks back at his hunger pain days. At 1:00:00, he remembers, “Before, every morning I woke up, I had an agenda: I gotta f*ckin’ make this music, I gotta sell these f*cking records. That’s not something I have to worry about right now.” However, Dre admits that he still finds motivation to make records all night, but he is trying to find new compulsions to do it. “I’m trying to figure out what’s gonna be the next thing for me.” A few moments later he says, “That little thing is missing,” compared to providing for a family and bills.

Later in the interview, Dre says his current energies are focused on a Maryland MC named Kaan. At 1:14:00, he says the artist excites him in the way that Kendrick Lamar did when he first encountered K-Dot. Dre is also working with King Mez, who appeared on 2015’s Compton, and recently directed J. Cole’s “Middle Child” music video.

Other highlights from the interview are Dre describing his 30-plus-year brotherhood with The D.O.C. He recalls Snoop Dogg freestyling “Tha Shiznit” and “Gz And Hustlaz” for the Doggystyle album deadline. He also bigs up DJ Premier, Pete Rock, and RZA as some of his favorite producer peers.

Oprah Reflects On Fighting For Equal Pay: ‘I Knew My Value’

Oprah Reflects On Fighting For Equal Pay: ‘I Knew My Value’

Oprah Winfrey detailed moments in her career when she had to fight for equal pay as she accepted The Hollywood Reporter’s Empowerment Award at an event on Tuesday. 

The media mogul told audience members at the publication’s inaugural Empowerment in Entertainment luncheon in Los Angeles that higher-ups at a Baltimore news organization where she worked rejected her request to be paid the same amount as her male counterpart. 

“I was told that because I was a single woman who didn’t have a mortgage and I didn’t have kids, that I was not entitled to earn the same kind of money as the man who was sitting next to me, doing the same thing,” she said, adding that her employers didn’t understand her value.

Winfrey later described fighting for higher pay for women who worked on the Chicago set of “The Oprah Winfrey Show” in the 1980s after she had received a raise herself. 

“I asked that my producers, who, incidentally, were all female, I asked that they be given a pay increase,” she said, adding that a male executive initially rejected her request by saying, “They’re only girls.”

She continued, “I took a deep breath in that moment and said, ‘Either they’re going to get raises or I’m going to sit down.’”

Prior to Winfrey’s speech, singer Selena Gomez introduced 20 students chosen to participate in The Hollywood Reporter’s new inclusion program, the Young Executives Fellowship, which “aims to create a pipeline for future leaders in film and television,” the publication stated. 

As part of the initiative, each student will take part in a competitive two-year program that will include mentoring, according to THR. Every student will be gifted a laptop, and the program will provide two full-ride scholarships to Howard University and Emerson University, The Associated Press reported.

Winfrey spoke directly to the students at the beginning of her speech, saying, “The trajectory of your life is about to change.”

Original post was published here.

Idris Elba Marries Sabrina Dhowre In Stunning Moroccan Wedding Ceremony

Idris Elba Marries Sabrina Dhowre In Stunning Moroccan Wedding Ceremony

Idris Elba is a married man!

The “Luther” actor tied the knot with model Sabrina Dhowre in a stunning ceremony at the Ksar Char-Bagh hotel in Marrakesh, Morocco, on Friday.

The British edition of Vogue magazine shared snaps of the happy couple to Instagram Saturday morning.

Elba, who People magazine last year crowned its Sexiest Man Alive, met Dhowre while filming the 2017 movie “The Mountain Between Us” in Canada.

He proposed to the model and former Miss Vancouver in Dalston, London, during a February 2018 screening of his first directed movie, “Yardie.”

The couple has stepped out in public together on numerous occasions, such as Prince Harry’s 2018 royal wedding to Meghan Markle.

Dhowre is Elba’s third wife. He has two children from previous relationships

Original post was published here.